Tara Miller: July 2011 Archives
I have been compiling my Christmas Knitting list this past week and given my blog schedule, my family and getting ready to move, I have had one thought and one thought only when it concerns my knitting: make it fast. Faithful readers will know that this is nothing new for me. I love instant gratification and in terms of knitting that means within a week or two. I am not a devoted sweater knitter. Give me a good hat any day! It is with this determination and central idea that I dedicate this blog posting to Chunky Yarn and it's delightful possibilities.
When my new Interweave Knits (IK) arrived this week, I was ready for my general dislike of half the projects and only real desire to knit one or two. Imagine my surprise when I discovered that I wanted to knit 90% of the projects. Upon closer investigation I realized that this is because of the use of chunky yarns. Chunky yarns are awesome. Not only do they knit up fast but you generally need fewer balls to complete a project. I know it would seem the opposite because the yardage in each ball is scaled down as well but because each stitch goes further you need less. Typically you need about half the number of balls for a chunky sweater than a worsted weight. In the end the yarn costs are about the same but you really win when you finish in half the time. And Chunky yarn is not limited to sweaters. One of my most coveted projects from IK Fall 2011 is the Chunky weight lace shawl. It is gorgeous and no doubt a fast knit. Rugs, Afghans, scarves, hats and slippers are just a few of the many projects that shine in Chunky Yarn. I have found the desire to knit sweater renewed in me (something dead for at least 3-4 years now) and have not been this excited to knit since I first learned and held marathon knitting sessions on the weekends and dreamed of yarn while compiling spread sheets (I was in accounting before I ventured into writing). I feel excited to knit. I can feel that small ball of excitement in my belly much like a 5 yr. old on Christmas morning when I start filling my cart with Chunky yarn: "it will be so fast and so pretty. I could have my whole list done in 3 weeks and that leaves plenty of time to knit for ME!" So take a look at your list and see where you could add some Chunky yarn and save some time!
Yarns Pictured above: Gedifa Highland Alpaca, Lion Brand Wool Ease Thick N Quick, Rowan Big Wool
Scarf pictured above: Lion Brand Crochet Lacy Scarf in Wool Ease Thick N Quick
My previous Yarn Subbing post dealt with yarn weights and how to double or triple your yarn to match weight. This post will deal with another aspect, picking the right fiber. Once you have the weight squared away you need to be sure that you are swapping the right fiber to compliment your project. To do this you need to keep in mind three rules: Drape, Texture and Style.
Drape: When substituting one fiber for another it is necessary to consider the drape of the recommend yarn and the drape of your yarn. Is the recommended yarn (RY) light and airy or thick and stout? Does it clingy or fall straight. If it is a light mohair or silk blend, you want to stick with other yarns that will mimic their draping tendencies like light alpaca or angora. If your RY is thick ply cotton and you want to change it up to wool for warmth, pick wool with poly blend for density. You can judge a yarn somewhat by sight or use Ravelry to see other projects made from your chosen yarn. If it looks light and fuzzy, sleek and clingy or, tight and stout, stick with other yarns that share these draping characteristics.
Texture: Will your project feature loads of texture- neat cables or stunning bobbles- then choose a yarn that will let these features stand out. If your project will be all about color and less texture, then feel free to go with a novelty or lofty yarn (Think Ribbon or Mohair). Try to balance your texture with your yarn, the more textural detail you have going on the more toned down your yarn should be. The less texture going on, the opposite: go crazy with your yarn choice.
Style: You want to match the style of your pattern with your yarn. If you are making a really luxe looking car coat, you don't want a cheap looking yarn. If you are just whipping up a t-shirt, you don't need cashmere (unless you REALLY want it). The same goes for everything in between. Match your personal style to your yarn choice as well. If you aren't going to wear camel colored cashmere, don't get it because it is recommended or will sub well. Branch out a little but stay in your comfort zone. You know what you like and stick with it. I am not a mohair person, though I really want to be. I know deep down in my heart I am not and am not likely to wear it so I don't buy it or use it. If a pattern calls for it, I reach for baby alpaca, cashmere or llama instead. All have the delightful softness and fuzziness but I enjoy them so much better than mohair. Subbing is worth the work to find the right fiber for you!
Yarn pictured: S. Charles Luna, Berroco Ultra Alpaca Light , Rowan Glace
If you read Friday's blog post you will know that today's project was inspired by a product spread in a popular magazine. The inspiration tunic costs $124 retail and is in the Ombre style. The shape of the shirt is nothing that sensational; it's a cool shirt and all but the Ombre is what makes it GOREGOUS! Ombre is a dye technique and comes from the French word meaning: Shaded. Ombre dye technique creates a graduated effect from light to dark or from one shade to another. The inspiration tunic shifts from dark blue to light. My tunic shifts from yellow to the natural linen of the original fabric. And it was so easy to do. I started with Hanky Weight Linen in Natural and Amy Butler's Anna Tunic (Tunic Length). Once the tunic was complete and before sewing on the buttons, I set up my Ombre dye. Working outside, I put down a clean drop cloth. Next, I took my jar of Jacquard Dye-na-flo fabric dye in Sun Yellow and poured it into a clean spray bottle. Having soaked my tunic in warm water until it was wet through, I then gentle squeezed out water until it was just damp (the dye is absorbed better by wet fabric). I laid my tunic down on the drop cloth and pulled all the wrinkles out and made sure it was nice and flat. Then I started spraying my tunic starting along the bottom and slowly working up, concentrating most of the dye at the bottom and less as I went up. The spray really helps you control the dye application and also creates an Ombre effect if you widen your spray area. Once I had the front covered nicely, I carefully flipped the tunic and repeated on the back. Be careful if you have dye on your fingers where you placed them when flipping your tunic. Repeat the same with the belt, just applying dye at the ends to match your tunic when tied.
DO NOT RINSE YOUR TUNIC. Allow your dye to dry completely. This is not like RIT where you let the dye sit for 30 min and then you rinse off. You must let your tunic dry completely. Then, turn your tunic inside out and with a hot iron (set to your fabric setting) press the inside of your tunic to set the paint on the other side. To set the belt, place a thin piece of cotton between the belt and your iron. Sew on your buttons and DONE! Doesn't it look Chic? I must say I feel great in my Tunic, edgy but classic at the same time. Try this dye technique with other natural fibers. You can even use it on cotton prints to give a neat peak-a-boo effect.
The Total Cost of my tunic was $ 43.93 not including tax (which varies) and includes 2 yds of Hanky weight Linen, one jar of Dye-na-Flo, and Amy Butler's Anna Tunic. You could make a similar Ombre tunic using your own pattern collection and your costs goes down to $27.95. Less than $30! That is a value of $100 from the cost of the inspiration top to your custom fit, custom colored to your exact liking, one of a kind Ombre Tunic. Guess which I would choose!
Last month I was enjoying a nice day at my parents' house. You know those rare days where the grandparents want nothing more than to take your child away so they can spoil her and you get to kick your feet up and relax without someone asking you questions so fast you are answering one asked 3 min before. Well, it was one of those days and I was reading Coastal Living, just a few pages in when I came across a product spread. As I sighed dreamily, thinking "Wow, I really like that $165 bikini and that $300 summer dress, but that will never happen," it occurred to me that I could or had already made these items. Well, not exactly like them but close enough that with some detail changes and fabric choices these coveted items could be in my closet and all the $ would still be in my bank account or spent at the toy store (I am a sucker). So I set about searching for fabric and details that would make my dreams come true.
Leather Detail Bikini: You guys have already seen my Kwik Sew bikini. Well, all we need to make it match our expensive bikini are some strips of leather or vinyl and some instructions for braiding leather. You can modify the bikini pattern by omitting the top straps, widening them and attaching the braided leather then the wider straps. You can modify the bottoms by adding the braided leather as a detail on the waist band. I love this so much better than the tiny leather detail and feel more confident of the bathing suit staying place.
Long, Ruffle Strapless Dress: This is the same as my modified project for Earth Day from Sewing Green by Betz White but with added length and floral fabric. We can get the same look by adding 20 in. to the length and using Liberty of London Poplin or Lawn. The colors and floral patterns used by Liberty of London perfectly mimic this look.
Blue & White Market Tote: This is a very simple bag to sew up because the seams are on the outside (use French Seams to give it a neat look) and so are the gussets. I recommend two 12 x 15 in. rectangles cut from Anna Maria Horner's Innocent Crush and then add some of our Leather Bag handles in dark brown for the perfect duplicate.
Ombre Tunic: Stay tuned on Monday for my blog post on doing your own Ombre Tunic. I made a linen tunic and using some Jacquard Dye-na-flo Fabric dye, I added a super easy and super chic Ombre effect to my tunic. It is too die for (no pun intended).
I have seen the light and it is knitting for kids. I may have said it before but I will say it again, I Love Knitting for Kids! Why, you ask, because it is fast, fun and almost instant gratification. The time it takes to knit a project for a kid is about ¼ of the time (if that) to knit for myself. Plus, I love her so much and couple that with my love of knitting makes it twice as fun as knitting for me. The fit issues are greatly reduced (except for the unplanned growth spurt: see pictures for evidence of a very much unplanned growth spurt). I choose the Jonah Hoodie from Lion Brand because of its comfy, cozy characteristics. It looked like it would be agreeable for a toddler to wear: warm and very functional. It is all of the above. My daughter was very excited to try it on and wear it around the house. While I doubt she will be wearing this one come fall (again see pictures) but I will be making another in the next size up for the fall. I love that there are only 2 buttons but I don't agree with the placement. They are 1 row apart and butted up to the hood. Next time I will start them 4 in. down from the cast off edge and the next one 2 in. down since I will use big buttons (these are from my stash) again so she can button them herself. I will also cast on more stitches (just a few) for the sleeves so the opening for her hand is bigger. I also changed the Hoodie placement. The instructions call for the seamed edge to be the top of the hoodie but I placed the seam at the back of the hoodie because the cast on edge curved a bit and gave it more of a front-of-the hoodie look.
I also loved the yarn, Lion Brand Homespun in Parfait. It gives a Boucle like look and is SUPER SOFT to the touch and to wear. It was a bit of a challenge to work with because of the fuzzy factor but worth it since it was one hang-up every 5th or so row (not really that big of a deal but a change to one used to cotton and linen these last few weeks of summer knitting).
This is a great project to work on while cooped up with the summer heat and humidity, wishing for fall to coming all ready. It really put me in the fall mood but is not so daunting that I regret time spent. It is just the right amount to get you over the summer hump.
I have long been a fan of Chenille, so when I came across out Chenille-It Blooming Bias Tape, I got excited. It looked like a lot of fun. When it arrived I was even more excited, then I looked around and realized I had no idea what to put it on. I didn't have any quilt tops, yet, to add it to. I didn't have any pillows I could use the Chenille-It Tape to couch with.But wait! I had a jacket I purchased at a thrift store last year that just needed something. The Chenille-It Tape would be perfect. The jacket is a camo green in a military style, single breasted button up with lapels. I decided to embellish the button bands and lapels with the Chenille-It. It was so simple too! I used my walking foot and centered a medium length stitch with a size 14 sharp needle and stitched down the center of my Chenille-It Tape which was even with the edge of the jacket. I added the Chenille-It Tape to the right side of the button band, but added it to the wrongside of the lapels so the Chenille-It Tape would show all around. I didn't worry too much on the corners of the lapels. I just cut and overlapped on each point or corner (as shown above).
My Chenille-It Tape needed 2 washings to get good and fluffed. I haven't decided if I am done or if I will add more to the pockets and to the bottom of the jacket. I do recommend that you match your upper thread to your chenille-It Tape and your bobbin thread to the project you are adding your Chenille-It Tape to. I wish I had considered that before but I was blinded by excitement. I won't see my bobbin thread much since it is on the inside of my jacket and underneath the lapel but it is a detail I will consider next time.
So now that I am an official crocheter, I figured I should get some Granny Squares under my belt to seal the deal. For those who don't know, Granny Squares are to crocheters as dishcloths are to knitters. Granny Squares are small crocheted squares that feature different designs in each that you can sew up into different projects. Some of the most popular are blankets, scarves, and shawls. Collecting and finding new Granny Square patterns is just as fun as working them up. I set out to find some that I, as a beginner, could handle and I came up with 2 good patterns. The first is a beautiful granny square which is shown in 3 colors but can be worked up in just one or two, as I did. The second is an interesting take on the Granny Square style but reshaped for Christmas to make a Granny Tree. I worked my tree up based on the instructions that called for a treble stitch. Next time I will go with the double and use a smaller hook as with the hook called for by the ball band and the treble stitch I think the finished project is too floppy to make a good ornament but would be perfect with the DC.
I have to say I loved making these. I learned some new things, obtained some much needed practice and new ways to use the skills I already had. Completing something so cute, colorful and beautiful in a short amount of time is very satisfying. Unlike the Amigurumi animals I had made previously, there was no assembly, no stuffing. Once I was done crocheting, I was done! I did learn that: yes, my tension is still too tight. How do I know this, you ask, well... the thought occurred to me shortly after my crochet hook snapped in my hand. "Self", I thought, "you may need to relax a little with this crochet business". Stay tuned to see how this revelation works out. Until then, I will keep practicing and definitely keep cranking out Granny Squares.
My Green and Purple Granny Square was knit up in Berroco Weekend (75% Acrylic, 25% Cotton) in Tomatillo and Orchid. This was a great yarn to crochet with: no splits and it was neither too slick nor fluffy. My Granny Tree was knit with Tahki Tara Tweed (80% Wool/ 20% Nylon) in Brick. This was also a fantastic yarn to crochet with. It was fluffier than the Weekend but it was also had more stretch.
I have had "Pressing Ham" on my To Make List for many years but for some reason or another (usually it is that I am never in the mood to make one) I never got around to making it. I really wanted one so I knew if I scheduled it for the blog it would get done. And What-do-ya-know...It did. Kwik Sew 3571 was a piece-o-cake too and since I am over the hump, I will be getting to the sleeve roll faster than I would have previously guessed. Since this pattern is basically 2 pieces of fabric: 1 of wool and 1 of cotton (though you could use linen too. You want to stick to natural, high temp fabric that can take the wear and tear. Avoid fancy fabric, which may look good but won't press well. You can opt for Wool Felt but not craft felt, which is mostly poly (depending on the manufacturer) and will melt. I would not use fleece or any kind of thick knit either. You need your ham to keep its shape and hold firm while you press on it. You can go with cotton on both sides if you want. I used a gingham cotton and I lined it as well with some muslin. I wanted a smooth shape and didn't want any indentations from some of the larger saw dust pieces that I had in my mix. I cut 2 from my muslin and then 2 from my quilting cotton. When I sewed them up, I made the turning opening for my exterior a little bigger than the muslin so it would be easier to sew up later. I then placed my muslin in my quilting cotton shell and then stuffed the pressing ham with the saw dust. I also added some lavender in with the saw dust for a nice perfume when the ham is heated with the iron (this was a great suggestion from my Mom, Debbi Krisher. Thanks Mom!)
I also extended, curved and tapered the end of the ham a bit to help with some narrow bits of some of the patterns I have been sewing lately and it really came in handy. I saw this on another pattern and liked the idea so modified this pattern to mimic. It ended up looking like a crook-neck squash. It is a little silly looking but totally helpful in the smaller areas. My little one loves it too since it now has a toddler handle. I will be making another in a brighter color so it is easier to find since she likes to hide it. I am also considering make a small hanging loop on one end so I can hand it from the wall for easy storage, keep it from little hands and make it easier to find. It will probably look like a giant Christmas ornament but that will just get me ahead of the game!
Following on the heels of my previous article on how to sew Pintucks with the Janome Pintuck Foot is how to then add this amazing detail to your store bought patterns. Say you have a dress or a shirt that you want to add pintucks too but you aren't sure how to add the details without altering the pattern. The solution is to sew the pintucks on before you cut your pattern piece. This can be tricky but if you plan ahead your finished piece will look amazing.
I start out by first deciding which pattern pieces will feature pintucks and mark them in some fashion. Then, I layout my fabric and pattern pieces as instructed in the pattern. The pieces that will have pintucks, I trace with tailors chalk around the outside giving a wide berth (sometimes about 1 in. around), be more generous on the width of the piece since that will be affected more by the pintucks than the length. This will give you a good idea of where to place your tucks and how long to sew them. Also be sure if you are working with pieces cut on a fold to mark the center line. You can cut out the unaffected pieces now or after you add the pintucks to the fabric. Do not cut out the pieces that will feature pintucks. Sew your pintucks before you cut out these pattern pieces using your traced outline as a guide. Sew your pintucks from the top of the traced outline to the bottom. Once you have added your pintucks, then cut out those pattern pieces. I like to go over the top and bottom of the pintucks with a basting stitch to keep them secure until the garment is all stitched up. I added 7 pintucks to the HotPatterns Cupid Cami in Sherbet Pips Squares Vanilla/Pink with matching bias tape. I modified the pattern to eliminate the ties and made 12in. long straps. The light pattern really helps the pintucks to stand out and compliment the camisole shape. Pintucks would also look great on the bodice of a shirt dress, widthwise on a fabric belt, or as a hem detail on some twill shorts.
Pintucks are a delightfully simple detail that really bring together a garment or provide that finishing detail that helps a garment to shine. Pintucks are small pleats in the fabric that provide texture and delicate detail to fabrics. When hand sewn pintucks are tedious but worth it, as you must fold the fabric and stitch very close to the fold for an extended length. However, pintucks with the Janome Pintuck Feet are a breeze.
I learned lot when learning about and practicing with the pintuck feet. Not only did I learn how to sew pintucks but I also learned to sew with twin needles (this was my first application with twin needles) and how to thread 2 spools on my machine (check your manual for instruction specific to your machine). It was pretty neat to learn so many new things about my machine and really opened my eyes. I practiced a lot to develop my pintuck sewing technique. The packaging suggests placing a thin cord under your fabric to promote the pintuck but the Janome Video demonstrated that you don't need to use the cord. From my practice I learned that it helps to hold the fabric taught and not to give it much slack. I thought that if I just loosely guided the fabric then the tucks would develop on their own and this is true to a point. But if you give too much slack the tucks get sloppy. You want to treat it similar to sewing a seam. You want to hold your fabric tight and guide it straight just like with a seam you want to keep straight and together. Don't give the fabric too much head and let it have its way. You might think that it needs slack to puff up a bit between the needles but you will like the results much better if you give it less lack and keep it reined in. It is also important to line up your twin needles with the foot grooves with the needle coming down on either side of the groove so the fabric will be encouraged to puff up into the groove. Use the bigger grooved foot for medium to light weight fabric and then narrowed grooved foot for very light weight fabric, like sheers and silks. I used the bigger grooved foot for my quilting cotton and the tucks are just right.
Pintucks on left not guided, Pintucks on right reined in
Back of pintucksCheck back on Friday for my posting on how to integrate pintucks in to patterns. It will really spice up your summer wardrobe!
When you are in need of an excellent seamless cast on, you can't go wrong with the Crochet Cast On. The Crochet Cast On is a flawless cast on perfect for joins, grafting and decorative bind offs. You can use it when knitting identical halves of scarf or shawls, for sock toes or when matching your cast on to your bind off. You don't need to know to know how to crochet to complete the crochet cast on, but having a feel for the hook is helpful in learning this new technique. It is a great foundation for pick up stitches later on and is easy to pull out later.
All you need is your working yarn, some waste yarn in a contrasting color, your needle and a crochet hook. It is a terrific alternative to the Provisional Cast On, if you are short on cable needles or just prefer this method. It is always good to have a few tricks up your sleeve and more than one way to get the end result, if the end result you are looking for is a seamless join or graft!
The last of the Stocking Challenge is Scandinavia- granted this is not one country but several; however the style is too similar to attribute it to one. My husband is half Scandinavian and my geographical choice was inspired by him. I also love the style, the natural details and motifs really speak to me and my love of the outdoors. Plus the Scandi style is so "in your face" homemade which I also find really attractive. It is not too difficult to recreate the Scandi style though I took come liberties with color to make it my own. The Scandi style, as I see it, is very natural, incorporating animals and plants that are very important to the Scandinavian people, such as birds, reindeer, trees, flowers (particularly tulips) and vines. Most of these elements have found a home on my Scandi Stocking. My bird is of unknown origin just something inspired by a Google search for "Scandinavian Embroidery" with daisies, a pine tree, and other embroidery flourishes added to fill in and make it beautiful in a cream thread. I found a reindeer shape from a coloring page search and traced him onto my Moda Bella Broadcloth stocking pattern and outlined him in some navy thread. I filled in my reindeer with some deep red thread in a vine and leaf pattern that I free handed. The leaf is embroidered very similarly to a daisy petal. Lastly is my snowflake appliqué which is featured here.
I am of 2 minds whether or not I am done. Part of me says that Scandi style is also a minimal style and that my big embroidered animals are a bold statement and I should stop while I am ahead. My other half says that I should fill in the blank areas with more natural elements, like tulips which I neglected to add. I also like the contrast of the linen appliqué and maybe some more would look even better. But I think that is my American brain wanting to fill in the blank space. Should I stay true to the minimal Scandi Style or take more inspiration from my husband's heritage and meld the American with the Scandinavian. Well, I have 6 months to mull it over but feel free to give your input. Oh, and Gledelig Jul (Merry Christmas)!
