Sewing: February 2011 Archives
Today I am reviewing some of my favorite patterns, perfect for the upcoming spring. These patterns are versatile and fun. They work with a multitude of fabrics from Quilting cotton, linen, voile and silk. There is also a bounty of these patterns in different finishes throughout blogland should you need inspiration. I, myself, cannot wait to try modifications to really fill out my spring wardrobe.
The first pattern is Favorite Things Prairie Girl Pattern. I made the top version and it was really easy as far as tops go. The fit is semi fitted with some ease through the bust and the hips. I nixed the modesty panel in favor of mixing my different color tank tops underneath. I also went with the capped sleeves instead of the fluttery sleeves. I love the ties and the v-neck, which really needs something underneath but is complimentary to any bust. One of my favorite things about this great neck line is that it begs for a necklace and I love a good necklace. Next time I am planning to cut the skirt a few sizes bigger and add in gathers. I also want to make the ties twice as long and in a contrasting color so I can wrap them around and add definition to the waist. I am also considered doing the flutter sleeve but layering 2, one in the main print and the second (cut 1 size bigger) in the same contrasting fabric as the ties.
Next is the Apron Overlay by Amy
Butler, Barcelona Skirts. It was fun and really easy to make too. I love
the weight of the two layers of cotton coupled with the gathers; it really adds
structure. Next time, I will not sew up the bottom but sew both sides to the
waist band, turn it out and topstitch the bottom. If my stitches are going to
not be perfect, I would rather it be on the hem than the waist. When I
make this overlay again I will not use so many prints but couple prints and
solids together. I think so many prints, or rather the prints that I used,
compete with each other. I would pick one solid and a print for each
side and perhaps a smaller print with less business. I am also looking forward
to trying different fabric with this, maybe a light-weight linen
or silk
coupled with a shorter length to wear with tunics & leggings. Another idea
bouncing around is to leave the contrast stripe down the center but join the 2
panels so there is no split down the center. This will give more of an apron
look but more of a skirt feel.
or you can get the inside scoop on my projects, see their progress and get extra tips and tricks by following me@tdangermiller
Designer Dog gear is all the rage now. Everyone wants to look good; the same goes for your dog. Even should your dog care less, you care- a lot. If you are like me, my dogs were my kids before I had a kid and they still hold a special place in the household, often with more benefits than the child. Some dog owners get a thrill from dressing their dogs but my dogs are too rough and tumble to go for that. I get my kicks from chic dog collars. The selection at my local pet store is sorely lacking (we are talking webbing in a wide selection of colors including red, blue and black). So once again, the chore has fallen into my hands to create something more appropriate for my hounds. Making dogs collars is easy, though figuring out how to install the adjuster is no fun. It is a frustrating mess unless you have a good tutorial: Behold!
I started by measuring my dogs necks and adding 6 inches (for adjusting and extra for hems and securing). My Border Collie's (Murphy) neck is 16 in + 6 in. = 22 in. My American Bulldog's (Maggie) neck is 22 in + 6 in. = 28 in. We will work from Murphy's measurements.
Materials needed:
¼ yd of designer quilting cotton
¼ yd of heavy interfacing or canvas
1 Center Release Buckle 1 in.
1 Adjuster 1 in.
1 set of D rings 1 in.
Next, cut a 1 in. by 22 in. from heavy interfacing or canvas and a 3 in. by 23 in. from Modern Meadow Picnic Plaid. Maggie's collar is Modern Meadow Dogwood Bloom. To make the straps, cut a 1 in. by 23 in. piece of heavy interfacing or canvas and set aside. Fold and press the 3 in. wide piece of your designer fabric (as instructed above) in thirds (you will have 2 folds but 3 three sections each 1 in. wide). Lay your interfacing piece in the center of your designer fabric and fold one side of the designer fabric over the top of the interfacing. Stitch this in place using a 1/4 in. seam. Fold over the designer fabric on the other side while turning under 1/2 in. to make a finished edge. Stitch again with a 1/4 in. seam.
To assemble the strap into a collar, I took a series of pictures to best describe how to assemble all the collar parts. I used a double turn ½ in. hem to finish and secure each end of the collar.
The bonus of making your own collars out of interfacing and quilting cotton as opposed to webbing is there is no need to melt the end, you can use any fabric you desire and these collars are washable. They are simple to make and fast to assemble that you can make them for any season, holiday or as great gifts.
I designed this belt to combine my favorite prints with the big, chunky leather style belts that are all the rage right now. I have seen these belts used to cinch in a billowy tunic, add definition to an empire waist dress and spice up a bland cardigan. I love them but have often bulked at the boutique price tags these leather belts can carry. I decided to make one for myself and share it with our Fabric.com blog readers who, like me, are budget minded but still looking to stay on top of the styles. This Belt can be made to fit any style. If you are more conservative your can make it out of Faux Leather or Suede to stay on the neutral side but if you prefer a brighter belt, use a bold Home Dec print like Ty Pennington's Impressions to add even more color into your closet. You can even use this belt in this season's IN color, orange, to introduce a contrast to an outfit of neutrals if you are color shy but looking to branch out (New Year's resolution?).
You will need a ½ yd of Ty Penninington's Impressions Home Dec Fabric
½ yd of Fusible Heavy Weight Interfacing
Download the Belt It & Cinch It Pattern Instructions here and have fun!
On the heels of my Kimono Dress from Monday, I wanted to follow up on bias tape. It reminds me of the purple car phenomenon: you never notice how many purples cars there are until someone points it out and then you see them everywhere. The same can be said of bias tape. You never notice how useful it is until you start using it, making it or finding a new way to use it. Bias tape has so many applications that a blog posting was definitely in order. Not only can it be used for the standard of finishing off seams such as necklines and sleeves but also as ties, straps, belts, and cording. Bias tape is an excellent way to use up and store your fabric scraps. As well as a great way to add a bit of color or contrast to a project. Bias tape is forgiving given its stretchy nature so you can use it on parts of clothing where you might lack confidence in the recommend technique, such as 1/8 in. double turn on the neckline. Bias tape can be purchased readymade but with several different sizes of bias tape makers, the options are endless and perfectly coordinated to your needs. I have surfed blog land and some of my favorite sites to come up with some great tips and tutorials for bias tape creations.
One of our favorite pattern companies (especially close to Shannon's heart), Colette Patterns shows us how to make a continuous bias tape. This cuts down on the amount of sewing to join your bias tape together. I particularly love it because I never know how exactly to line up my bias tape to make it match up. This tute eliminates that and all my bias tape strips are perfect every time. Thank you!
Craftzine features a great tute for hemming jeans with denim bias tape. This is a great finish for too long jeans or a great way to add your favorite color to your favorite jeans. A pal found that by adding some dino fabric to her son's jeans that he broke off the habit of wearing the same camo pants every day.
One of our featured blogs of the month- Adventures in Dressmaking- has another great tute for changing a boring sweater in to a vintage-inspired letter sweater using bias tape. It is super cute and can be changed into a Laverne and Shirley style monogram sweater without too much thought.
Prudent Baby offers a free pattern for a bias tape bag that is uber cool and reversible. By adjusting the scale of the pattern, this bag can be modified to be large enough for a diaper bag, knitting bag or smaller for an evening out/date purse. Very versatile.
My own Mom (who taught me to sew) made a delightful flannel kimono-seen above-, from Amy Butler's Little Stitches for Little Ones, for my baby complete with flannel bias tape edging. It is so soft and cozy that often there is a battle to remove it in the morning and get into play clothes. More kimonos made from quilting cotton, linen and sleeveless are planned to ease the morning transition.
I have had Weekend Sewing for quite a while but for some reason for another I have yet to make anything from it. That was the chief reason I chose to blog about it today. Having cracked it and made the Kimono Dress (twice) I am in love. I was in love with the pictures long ago but as with many books there is often a gap from loving the pictures and making the projects. Either they are not practical, terribly difficult to make or the directions are horrendous. None of these descriptors describes Weekend Sewing. It is a delightful book filled with projects that I can (NOW) no longer put off. Heather's directions and pictures make her projects easy. The Kimono Dress was 5 pieces plus the Obi Belt and was so easy and quick that once I realized how easy and fast I made a second dress. There are a few suggestions I would make like additional sizing for the wee baby kimono which is only offered in newborn to 3 mo sizing but other than that I really love this book. It is a definitely good way to spend a weekend in your sewing room and the projects are perfect to put you in a spring state of mind.
Now the reason I made 2 dresses is due to another disagreement I have with the book (there are very few but I fear I must air them so you can avoid my mistakes). The Kimono Dress discusses the use of fabric with A LOT of drape. I took this to heart and searched my stash to find the fabric with the most drape, a charmeuse satin that was lovely and silky. However, the problems were evident once I had completed the bodice. I had to rip is back to readjust the angle of the 2 wedge shaped pieces that form the cross-over in the front of the dress. There was a significant gapping. This was done twice. I also had a lot of trouble with the elastic thread (more on that below). When I joined the bodice, which still suffered from slight gapping, to the skirt and tried on my dress I wanted to cry. This dress just looked sloppy. The fabric was too drapey for this pattern. My dress looked nothing like the picture. Aside from the static clingy, the look was all wrong. I felt hideous, the dress just hung from me like a cheap nightgown. I was resigned to rip the bodice from the skirt again and to readjust the waist with gathers instead of the elastic thread. This plus a huge bottle of Static Guard from the drug store and (per mom's advice) a full slip and the dress looked decent. I would actually consider wearing it out- in the summer on a humid night.
All these problems and a close inspection of the Kimono Dress picture lead me to the conclusion that fabric with lots of drape was not the best for this pattern. So I cut another out of some lemon yellow Dupioni Silk and from the beginning it was perfect. No need to reposition the wrap front pieces. The elastic thread worked a little bit better I think that the 3 layers of fabric kept it from doing its job as intended. I also took the opportunity of a second dress to add some helpful additions to the pattern to make it easier. The first was bias tape around the neck line. The instructions call for a double turned 1/8 in. hem around the neck but seriously who wants to do a 1/8 in. double turn around anything let alone a rounded neckline. Second was to just stitch the front to the back at the shoulders and then hem the sleeves when they are flat instead of stitch the entire front to back and then hemming the sleeve when the sleeves are round. I also pinked each seam before pressing them open to add a finished edge which is not given in the instructions.
The Obi sash was seriously easy. My first was made with Michael Miller Sanctuary quilting cotton and heavy weight interfacing in the center. Since I didn't have double fusible interfacing I used a glue stick to adhere the fabric to the interfacing while I sewed it up and it all worked great. I also added some topstitching to help keep the shape. My second I used an Amy Butler Home Dec Fabric for the front center and both sides of the ties since when you tie the sash you can see both sides of the tie. I used the Dupioni Silk for the lining side of the center of the sash. I made the Obi Sash with the pattern pieces provided which does make a shorter sash than depicted as many blogs have noted. The belt really finishes the dress and makes it extra special. The belt is super fast and easy so you can make several to match shoes, bags or mood.
Overall this dress was a learning experience. I will go with my gut in fabric choices from now on and just use instructions as a recommendation. I felt from the beginning that Dupioni was the best choice for this pattern but went with the instructions and could have saved a lot of time and stress. I have learned to love Elastic Thread now that I know how to make it work in my Brother Machine- which according to Blogland needs some magic to work with elastic thread (see this very helpful posting and the blogs it links to if you need more help). I can't wait to get started on the smocked sundress in Weekend sewing for my little girl and a big one (here) for me. I seriously love this book! Thanks to everyone on Facebook for your helpful tips and suggestions that talked me down from the edge and gave me the energy to make a second dress!
or you can get the inside scoop on my projects, see their progress and get extra tips and tricks by following me@tdangermiller
The feeling of accomplishment when you finally cast-off the last stitch on the last piece of a sweater is immense...until you realize that you know need to seam it all together. This can deflate you just a bit but chin- up; seaming is a breeze and in it own way relaxing and methodically therapeutic.
While I detest finishing (weaving in ends and casting off) I delight in seaming. It is much like I love embroidery, it is just a simple movement with instant gratification. It is the last step towards a finished project. It always feels like the last few days of senior year. I become nostalgic and remember the moments of each project. When my daughter grabbed my ball of yarn and ran all the way to the other side of the house. When I tripped on my own needles or which movies my husband and I watched together while I knit and he mumbled that I couldn't possibly be paying any real attention to the story. I don't usually go over these moments once I start wearing the sweater so I always cherish the seaming.
Like I said, seaming is easy; it is the placement that's tricky. The trick is to meld the 2 sides together so you can not see the seaming. I do this by making sure and tuck my tapestry needle under 2 strands on each side. This makes sure that the seam is not joining half a row on each side and ensure a strength that one strand can't be trusted with. You want to start at either the top of the bottom and hold your sides together with some sort of temporary binding. You can use bobby pins, bigger hair clips with teeth or chip clips. Use as many as you are comfortable with to hold the seam together as you stitch. This will also make sure the seam stays aligned so your seam will be straight. It is a simple mattress stitch you will be using and there is no need to make each stitch tight as you go. You can zip it up when you finish by pulling on either tail. You want to go from the outside through one side and the next and out the back and repeat. This will create a definite seam on the wrong side of your project but a seamless effect on the right. I have used a contrasting yarn on my Minimalist Cardigan to demonstrate. When you are seaming you can start with a bright yarn so you can see your stitches and then stitch over it with a blending yarn. Then simply pull out the bright yarn and leave the blended yarn and no one is the wiser!
Slippers are like magic for me. I hate being barefoot (I know, the cheese stands alone on that one), and I really dislike being cold. And while I have been sewing for longer than most of my friends have been alive, for some reason, it didn't occur to me that I could make my own slippers until recently. Go figure!
I LOVED this pattern the second I saw it. The little pointed toes, the cute two-piece uppers that allow for a multitude of color combinations -- how could I not give it a whirl?
I used a cute Valentine print from Timeless Treasures and a coordinated fuchsia fleece. The soles require a non-slip fabric like Slipper Gripper. Alternately, you could give any fabric you wish a non-slip finish using Latex Milk. The pattern calls for a foam layer inserted in the sole but I opted for an extra layer of fleece and an additional layer of vinyl sandwiched into the sole assembly. I like a water-resistant bottom to my slippers!
The cutting was quick as could be (hooray for the beautiful simplicity of Kwik Sew!). The stitching was nothing crazy. the trickiest part is stitching the assembled uppers to the soles, but even that is no real brain-teaser. It just takes a little patience (I know, I say that a lot).
Here's my one big criticism, which may or may not apply to you:
The pointed toe style is NOT good on my feet. In fact, it is downright hideous. Granted, my feet, through years of abuse, have widened and flattened out to resemble an only slightly more feminine version of Fred Flintstone's paws. I ended up altering mine, which had been cut in pointed style, down to the curved style. Much better!
I adore wearing these around the house, and I actually made several pair for gift-giving at the holidays. They are fantastic for travel! They are so low-profile that they roll up and fit into the tiniest nook in a suitcase or overnight bag. I have already made another pair using Disney flannel to take on an upcoming trip to Orlando, and my husband has hinted that he would like a pair, so I may finally have an excuse to buy some Batman fabric.
This pattern would also be a great alternative for people who love to carry those extra rolled-up ballet flats in their purse or hand bag for those late nights when you want to stay at the party but can't bear to wear your heels anymore. Now you can have a pair that's custom-coordinated to your outfit. Try using a slipper satin or a satin jacquard for a luxe look.
Here's to always having cozy toes!
We've all watched the Cricut infomercial. Whether it was one of those sleepless nights, rocking a new baby back to sleep or too much Diet Coke at Trivia Night (these are all autobiographical in case you didn't guess), it is eye candy to the craft minded. Though I have never been particularly inclined towards scrapbooking what really drew me to the Cricut was that it cut fabric. What sewer doesn't wish there was less cutting and much more sewing and wearing! Once I had my Cricut I was experimenting with cutting fabric with a quickness. I am still experimenting but most of my predilections for the Cricut have been satisfied. Here's the deal.
You can cut quilting cotton and cut it into any shape that you can cut out of paper with your Cricut. That is the awesome part and it is pretty awesome. Any shape or font that you can contrive out of your Cricut can be an appliqué of some kind. By first ironing on a fusible web to the wrong side of your fabric, you can cut any shape or letter of any size out of your fabric with perfect results. Make sure your DO NOT remove the paper backing or if there is no paper backing, iron on freezer paper to the right side of your fabric (the Cricut is made to cut paper so having a top layer of paper ensures a good cut). It is also important to have a new or fresh blade just like having sharp fabric shears are important to cut your patterns perfectly. Many online tutorials and guidelines I found recommend that you test your cuts on paper first to make sure the size and shape is just right for your project. It is easier to adjust and cut paper than to prep fabric and waste it on the wrong size.
I call upon my Cricut for many of my appliqué needs and it makes it a breeze. After a recent invite to a 2yr old's birthday party this past weekend, I wanted to make something personalized. After deciding on a cape, I prepped my fabric with some Steam A Seam and hand pressed it to the cutting board. I chose a lower case "n" from one of my Cricut font cartridges 3 in. tall and 20 sec later I was satin stitching around the edges and wrapping up the cape to give. As busy as my own 2 yr old is the Cricut makes it possible for us to still give handmade gifts no matter how limited time seems to be these days.
P.s. My next project is to use my Cricut to finish populating my magnetic tree mural in the nursery.
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