Home Decor: February 2012 Archives

I am in love- Fact. This is an awesome tutorial- Fact. This was so easy that I want to buy tons more fabric and mini blinds to do all the windows in my house- Undeniable Fact.

This tutorial I found on Pinterest is quick, fun and easy. I am nearly jumping for joy on how fun, easy and quick it is. I expected it to be all of these things but not this much so. Enough embellishment, let's get down to business.

First, I went to a mega store and purchased the cheapest mini blind I could find to fit my window. I did this on principle to see if it would really work and just how little I could get away on spending on a tutorial I wasn't 100% convinced would pan out. Next I perused Fabric.com Home Dec Fabric and found the perfect fabric for my cornflower blue bathroom (thinking about painting it so I wanted a neutral). I wanted a neutral, also, so light would come through. This is the only window in the bathroom so I didn't want to darken it with a dark pattern. I choose a geometric to branch out of my comfort zone of florals and to compromise with my husband (long time anti-floral voter). I found out later that geometrics make it very easy to make sure your lines are straight. My window was 32 in. wide by 60 in. long so I ordered up 2 yds of Carver Lattice Sand.

I followed the instructions almost to the letter but because my window was a different size I went with 4 pleats 16 in. apart (this is 3 blinds plus the bottom slat). I really like the dramatic effect of less pleats and think it works well for our long window. I also used some Steam a Seam 2 for the side seams. I REALLY considered sewing these seams but I also really wanted to see how well this tutorial worked out so I decided to not deviate too far. I did however, hot glue all the blinds and slat down instead of using fabric glue for several reasons: I didn't see why to use one over the other, hot gluing seemed faster, I didn't have any beer bottles, I was out of fabric glue (this was the determining factor). This worked very well and I recommend it but arm yourself with an extension cord since most glue guns are not made to range as far as this project called for.  

Though I have only had my Mini-Blind-to-Roman-Shade up for a few days, it looks great and I mean great! It works well and it was such a pleasure to put together. I hate and I mean hate making roman shades because they are so time consuming and tedious. I love their look but I had ruled them out because they were too much given my limited time. This tutorial has reunited me with the look I love with a time commitment I can welcome! Thank you 365 days 2 simplicity!

For the past few weeks I have been diligently working on reupholstering a Queen Anne style wingback chair in Dwell Studio Vintage Blossom Dove and it is going very well but not done yet. I wanted to share my progress as well as make suggestions and show my techniques. The wingback I am working on, none of the fabric was salvageable so I am working without using the old fabric as pattern pieces (Which is a very handy tip) so the finished product will not look exactly like the original but close enough that it won't be noticeable. This means that some of my folds, tucks and darts will be in different places but will achieve the same look. I also had to do some frame repair and change out the front legs due to damage. Most of this posting will be pictures which I feel best communicate to you my techniques and give you an idea of how best to document your progress to learn from and to use for future projects.

This first collection of photos is an example of all the photos I take of the chair before. Every fold, tuck, sewn-bit and interesting area is documented so after the chair is naked and I am putting fabric back on, I can see how it was attached, pieced and cut in different areas to make my job easier and it give it a professional finish. If you aren't sure if you should take a picture, take one anyway. If you use a digital camera you are not wasting anything and you can delete the unuseful pictures after you are done.

I like to start with the front back on any chair because it is the biggest piece of fabric that will really show. This is a good way to get comfortable orienting your fabric if you choose a directional fabric like mine (birds up!) and since it is one of the biggest pieces, you can really choose what you want to feature. Make sure you do a dry run before you cut or tack anything. I use skewers for this but for the front back piece you can just drape. I also tack this piece to the top and bottom completely before I cut any excess. You don't want to trim too close on this one.

Next I move on to the front of the wings because it is easy to match the fabric and it is another big but easy piece to place. The round of the wings can be tricky but remember most of your tucks will be covered by piping (which we prepared here).

Also be very careful where you cut your slit around the top bar that connects wing to back (it goes across the top and you want your fabric to go on top of and below it). Cut your slit closer by an inch or 2 to the front back piece side and then fold your fabric under toward the wing. If you place your cut right on the money, you will see raw edges. The fold hides the cut edges and gives a smooth transition from front back to wing.

Lastly on the wing, there is usually piping placed between the arm and the wing so you can secure your top wing fabric with tacks at the bottom. They will be covered by arm fabric and piping so they won't be seen or felt if you pound them enough.

Remember if you use tacks, you can pound them in just a bit as you go to secure your fabric and then easily pull them out to move them to refold, tighten or just get a better placement. This is why I prefer them to staples (which are faster but harder to correct). When starting your own project, be sure to take lots of pictures before and during. Keep your old fabric as pattern pieces if you can. This will also help you estimate fabric. Do as many dry fits as possible before committing to a cut or tacking especially on very tricky places like the front arm (with the scroll) and the under seat (often with darts and tucks).

Stay tuned for this continuing series and comment with any questions on upholstery.

You can find my previous upholstery posts here

Cotton Cording is an essential Home Dec finishing notion that is as versatile as it is easy to use. Cotton Cording can be used for the typical piping and welting used in home dec applications to add finishing details and accents but it can also be used for non typical functions, such as bunting, purse handles and couched monograms. Today I am going to walk you through using cotton cording in its most applied purpose: bias covered piping for home dec projects.

Since I will be using my piping for my upcoming upholstery project, I am cutting my bias from scrap pieces cut into for specific chair parts. As long as the scraps are good size (I prefer at least 12 by 12 in. sections) then it is worth your time. You don't want to spend all your time sewing up tiny bias strips together. To determine the width of the bias strip you need, multiply the size of your cording by 8. Example: I used ¼ in. cording so I cut my bias strips 2 in. wide. Make sure you cut your fabric on the 45 deg.  angle to the grain for the best stretch.

To begin stitching your bias strips together, overlap by the seam allowance you will use. I like to use 3/8 or 1/4 in. Align them up right sides together and only stitch as much as you need. You don't want to end up with more covered cording than you will need. It is hard to find another project that will match. I like to leave my last 6 in. or so of the bias strip un-sewn uncase I need to add more. This extra bit will be enough to sew on another bias strip.

Fold the bias strip over your cotton cording with raw edges matching. Use a zipper foot to sew very close to the cording without sewing on it. You want the cording to be tightly stitched in the center. If it is too loose you will see bunching and shifting. Use a medium length stitch and back stitch at beginning and end to keep you piping from undoing before you can use it in your project.  

To recreate my cording you will need Dwell Studio Vintage Blossom Dove and size 2 cotton cording. 

From the first stitch Rowan Big Wool feels like a wooly cloud. Once you have 5 rows on your needles you begin to plan sweaters, scarves and pillows. Big Wool is fluffy, soft and cuddly making it very difficult not to plan future projects involving this triple threat: 1) it knits up fast; 2) it is unbelievable soft; 3) now you can get it at an inexpensive price at Fabric.com.

I have been crushing on Bulky Yarns for a while ever since I attempted the Welt and Rib Raglan featured in Interweave knits. It works up in a size 5 needle. This was in 2010 and I am still only half way. I blamed the needles and might have (there were no witnesses) thrown it across the room in frustration. Before this fateful day I had steered clear of bulky yarn because I didn't think I could carry off thick sweaters and (what may be the main reason) I didn't want to pay for less yardage. But once I threw my size 5 project to the ground I did my research and found that yes, bulky yarn carries less yardage but you also need less when you knit it up. Each stitch carries you that much farther meaning that you need 900 yds for a sweater instead of 1200 in worsted. Another point for bulky!

However, until I picked up Big Wool I was never really in-LOVE with bulky yarn. It was a means to an end in helping me explore a new area in knitting and complete projects faster. But Big Wool was a pleasure start to finish. This 3 ply wool did not throw up any snags even though I worked it on huge size 17 straight needles. There was a nice smoothness to the spun wool that is alluded to in other wools but rarely delivered in such a finish. The yarn itself is fluffy but only compacts a little when knit up. The stitch definition is very clear with only a slight wool fuzziness which I love. I don't like stark stitch definition, the fuzz just helps the texture look warm. Big wool is smooth enough to glide over your needles easily but not slick. It is very forgiving and excellent for a beginner looking to learn a new yarn. I do not recommend Big Wool for a first project because the needles are so big. Size 17 needles would be awkward for a newbie unlike a size 8 or 9.

Over all I give Rowan Big Wool 5 stars due to the fine finish of the wool, no snags and excellent stitch definition. Lastly the color selection is dreamy!